!INAUDITA, ineffable!” is conceived and curated by Giovanni Verga and Antonio Trimani. The project investigates translation as an aporia—not as a mere transfer of meaning, but as an experience of linguistic and auditory disorientation. On October 6, spontaneous and unprogrammed actions activated the spaces of the Italian Pavilion at the Expo di Osaka through site-specific sound interventions. Using audio transducers, architectural surfaces were transformed into resonant bodies, generating aleatory musical compositions.
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The project unfolds through three sound compositions:
Forest – Nine “voices” in different languages (including Japanese, Italian, Chinese, English, Persian, Albanian, among others) intertwine in asynchronous rhythms. These are accompanied by violin pizzicatos and layered sonic textures that evoke the vitality of a forest—a symbolic space of cultural encounters and coexistence.
Luce – A spiritual and meditative soundscape in which a vocal warbling gradually dissolves into a contemplative dimension, oriented toward inner exploration and introspection.
Nasty – An irreverent counterpoint to Luce: the chaotic roar of a Japanese Honda 650 motorcycle and abrasive noise fragments confront the tenderness of a traditional lullaby from the Ciociaria region, producing a sharp and deliberately unsettling contrast.